- Home
- Mary Higgins Clark
I'll Walk Alone Page 29
I'll Walk Alone Read online
Page 29
The Anastasia Syndrome
I took a course years ago in which the instructor hypnotized people and brought them back to previous lifetimes. I took it out of curiosity, not because I believe in reincarnation. When I heard startlingly vivid descriptions of former lifetimes from people under hypnosis, it didn’t make me a believer, but it did make me realize that I was going to write a book on that subject. Since I’m a history buff, I loved setting the back story in the time of Charles the First and Charles the Second of England.
Let Me Call You Sweetheart
I love jewelry and have a few pieces that once belonged to my mother-in-law. One pin especially is unique. I thought it would be interesting if that pin could get someone on a path to murder. As a secondary theme, the idea of a plastic surgeon giving a number of women the same face, I thought offered a meaty plot because why would any doctor do that? A third plot element was the idea of a young man in prison for a murder he didn’t commit. I threw these together — the jewelry, the plastic surgeon, and the innocent prisoner. Let Me Call You Sweetheart was the result.
Silent Night
A friend of mine was nineteen years old when he was in the Battle of the Bulge. A bullet hit the Saint Christopher Medal he was wearing, and the medal saved his life. I always knew that there was a story within that story, and when I was asked to write a Christmas novel, I knew the Saint Christopher Medal had to be part of it. The other plot element involved a young woman who had been in prison, sees a wallet, picks it up and may be accused of having stolen it. I thought that is the kind of predicament that people can sometimes get into. Afraid to tell and afraid not to tell is a desperate situation for a lone young woman with a dependent child. That situation tied to the Saint Christopher Medal produced Silent Night.
Moonlight Becomes You
My mother-in-law had a recurring nightmare perhaps twice a year. It was that she was in a funeral home in a casket. She was alive, and all the other people in the other caskets were dead. It is easy to trace the origin of that dream. Her mother was a young girl in England when the flu epidemic killed thousands of people. People were buried immediately, and later it was found that some of them were still alive. The coffins had scratch marks as they frantically tried to lift the lid and escape. In those days the rich people would have a string around the supposedly dead person’s finger and would have a bell on the ground at the end of the string. They paid watchers to sit by the grave for a week just in case the person was not yet dead and tried to signal them. I thought that is a darn good basis for a suspense novel.
Pretend You Don’t See Her
So often an article I have read triggers a book. For this one I read a long article about a family in the Federal Witness Protection Plan and the excruciating loneliness that they were experiencing living in a strange place, unable to discuss their backgrounds and only contacting the rest of the family through a Federal Marshal. I ask myself why a young woman would be forced into that position and what it would be like if an assassin breaks through the code of secrecy and learns where she is.
All titles by Mary Higgins Clark are also available as ebooks.
Table of Contents
Cover
Front Flap
Title Page
Copyright Page
Dedication
Acknowledgments
Contents
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
Chapter 62
Chapter 63
Chapter 64
Chapter 65
Chapter 66
Chapter 67
Chapter 68
Chapter 69
Chapter 70
Chapter 71
Chapter 72
Chapter 73
Chapter 74
Chapter 75
Chapter 76
Chapter 77
Chapter 78
Chapter 79
Chapter 80
Chapter 81
Chapter 82
Chapter 83
Chapter 84
Chapter 85
Chapter 86
Chapter 87
Chapter 88
Chapter 89
Chapter 90
Epilogue
Back Flap
Back Cover